Is it a hubristic project, a project about hubris, or both? Ultimately, it doesn’t matter. Pre-Succession, Snook showed herself an actress of singular flair and magnetism in The Master Builder, opposite Ralph Fiennes, at the Almeida in 2016. Her extreme, carnivalesque performance here is like nothing else I’ve ever seen.
The Picture of Dorian Gray at the Theatre Royal Haymarket review: Sarah Snook is astonishingly good
