Zegler made her name as Maria in the 2021 remake of West Side Story, a role which saw her win the Golden Globe Award for best actress, she has also…
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Clueless the Musical at Trafalgar Theatre review: powerfully sung, and actually, like, kinda fun
by News Roomby News RoomIn the ranks of musical adaptations of cult movies, this is almost as good as Legally Blonde, and it’s what Mean Girls should have been
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Fleabag, Baby Reindeer and now Weather Girl: meet the producer genius behind them all
by News Roomby News RoomAfter Fleabag and Baby Reindeer, now theatre super-producer Francesca Moody has TV execs in a tizzy again with the new hit show Weather Girl
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Cry-Baby the Musical at the Arcola Theatre review: gloriously trashy in the best way
by News Roomby News RoomThis bouncy musical adaptation boasts a bouncy score, brisk staging and (most importantly) a happy ending
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Weather Girl at Soho Theatre review: the hot mess solo show feels hot again
by News Roomby News RoomSo there are big, urgent themes packed into the show’s spare, 60-minute running time, plus a dose of witchy mysticism and a woozy, nightmarish, American-Psycho quality to Stacey’s tales of…
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Immersive theatre is at a point where it’s the lifeblood of any true Londoner, who is never happier than when running away from zombie hordes in an abandoned tunnel or……
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Punch at the Young Vic review: ‘a tragic true story turned into devastating theatre’
by News Roomby News RoomDavid Shields bursts onto the stage as Jacob, a drug dealer, gang member, amped-up kid desperate for a fight. Shields plays it with such intensity that you can almost see…
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Farewell Mister Haffmann at Park Theatre review: this Nazi farce is brutally, depressingly, absurd
by News Roomby News RoomThis stilted play dodges potentially interesting subjects in favour of lumpen dialogue and endless Brest/breast jokes
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‘My teeth pinged out’: Gwilym Lee on playing Gareth Southgate in Dear England
by News Roomby News RoomBohemian Rhapsody and SAS Rogue Heroes star Gwilym Lee talks to us about becoming Gareth Southgate as Dear England hits the National Theatre
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The Seagull at the Barbican review: is Cate Blanchett’s performance the year’s best?
by News Roomby News RoomYou keep thinking, as all the characters face their reckoning, that the carapace will crack, but it never does. Even as she begs her lover not to leave her for…