The presentation of wry, dry death, calmly embodied by each of the characters is the only non-naturalistic element of Eric Ting’s warm, carefully paced production, designed by Arnulfo Maldonado, which premiered last year at New York’s Signature Theater. The difference here being that it’s now cast with a superbly meshed quintet of British actors.
The Comeuppance at the Almeida review: death stalks a school reunion in this dark but laugh-aloud drama
