His rhetoric is ornate, almost poetic, where the young men’s speech is blunt and unrooted in the period. Turner’s production has the restless energy of REM sleep, where strange symbols…
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Arcadia at Duke of York’s Theatre: A magnificent monument to Tom Stoppard
by News Roomby News RoomBy chance, the Duke of York’s was where the first major London revival of Arcadia was staged in 2009, in a production starring Stoppard’s son Ed: I interviewed Stoppard there,…
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Russell Tovey is outstanding in this taut thriller about an emergency call responder on a particularly eventful shift
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Both men have impediments – a stutter, polio – and wives who are uncomfortable playing merely loyal, supportive roles. Nelson wants us to see the human beings behind a pivotal…
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West End performers ‘feel unwell’ sweltering in 36C heat as theatres urged to push back shows
by News Roomby News RoomAt least three theatres are reporting highs of 30C inside as the union encourages World Cup-inspired hydration breaks
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Cyrano de Bergerac review: Conquering hero – this Cyrano is a bittersweet joy
by News Roomby News RoomAdrian Lester is magnificent as the big-nosed, big-hearted soldier-bard in this witty and unbearably moving Royal Shakespeare Company revival of Edmond Rostand’s 1897 verse play. Director Simon Evans and writer…
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The Truth at Apollo Theatre review: Manic Mangan excels in this polished French infidelity comedy
by News Roomby News RoomStephen Mangan is the tachycardic heart of The Truth. A sleek, satisfying production, and a proper West End night out
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Not every story needs to be turned into a musical, but Matthew Warchus’s 2014 film Pride seemed to be crying out for it. Based on the true story of a…
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Sinatra the Musical at Aldwych Theatre review: ‘Old Blue Eyes’ musical is frankly disappointing
by News Roomby News RoomOne problem is that Old Blue Eyes was in this period, and continued to be, a grade-A shit – selfish, temperamental, violent, compulsively unfaithful – so it’s kinda hard to…
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The Misanthrope at the National Theatre review: Sandra Oh kills it in an updated, mixed-bag Molière
by News Roomby News RoomSandra Oh is the saving grace of this slightly lost production that can’t decide whether it loves or hates the world it’s satirising, writes Nick Curtis