The eight-strong ensemble here performs with quiet, unshowy efficiency and there is an immensely powerful epilogue. Here Philippine Velge takes on the role of Lily Jacob, possessor of a second Auschwitz photo album, that depicted the moment she arrived at Auschwitz as a teenage prisoner and her family were sent to the gas chambers. This album, like Höcker’s, had to be made public, she says, because “time moves on, and we all live in the world”.