They address us directly from what seems, in Miriam Buether’s design, to be a shabby warehouse or grain store. Inside this the rest of the large cast assemble the scenery of the courtroom, the jail, and the Finches’ home, to the folksy strains of a barrel-organ. This is an eloquent visual expression of the way a small community pulls together, for good or ill.
To Kill a Mockingbird at Wyndham’s Theatre review: Supremely well put together
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