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Home Events The Ritz, review: Trust me, this is London’s best restaurant. Of course it won the National Restaurant Awards

The Ritz, review: Trust me, this is London’s best restaurant. Of course it won the National Restaurant Awards

by News Room
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Review at a glance: ★★★★★

To whom we turn in moments of gloom and glory can be instructive, a filter of our truest friends. I’ve fallen out with the Ritz a couple of times, including once after a visit to the bar which didn’t warrant a review (“But you said it was lovely!” they said. “Yes,” I replied. “But I also apologised when I was run over. Mum’s a stickler for manners.”) No matter. We could have a stand-up row and the Ritz would forever be the restaurant I chose when wanting consolation or celebration. So when my partner Twiggy agreed to marry me, with no obvious signs of head injury, it was here that was booked.

It’s not what you’d call subtle, being a neo-baroque chamber of pink and gilt. I imagine the designers meant to conjure a room Louis XIV might feel at home in, though there’s every chance they were just big into strawberry Angel Delight. I guess we’ll never know. It is cartoonishly grand, what children might picture when first hearing about fine-dining (the truth being blander, greyer, involving more being talked at). In that way a meal here is always an occasion, as though the opulence demands it.

Grande dame: The opulence of the dining room almost demands that every meal feels like an occasion

Courtesy of the Ritz

Happily, they didn’t spunk the budget on cornicing alone. I’ve been in the kitchens. They house a staff of white-coated chefs of such number and order that news of them running a flag up the pole and declaring independence wouldn’t be such a turn-up for the books. What they produce confounds and dumbfounds, boggles minds and gasts flabbers. It is food that leaves me fog-headed with pleasure. Vertiginously toqued executive chef John Williams has revolutionised the restaurant he joined two decades ago and while much of what he’s put in place suggests a loyalty to French restaurateuring of the oldest school, his sleight of hand is that the place is anything but dated. He has bear-hugged tradition but created a sense of timelessness. Can there be cutting-edge classicism?

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