San Isidro Fair: Freny, La Toro Bravo caste | Culture

Freny, with a black cape and 559 kilos, saved from the burning of Puerto de San Lorenzo, which, in the end, remained in something like a livestock contest in which Victoriano Iron of the River participated with two bulls of Remondo. One of them was the aforementioned frenzy, run in fifth place, well presented and astifino, who made a simply fighting fight in rods and showed a suspension point in flags. But it is seen that he rested in the third while Fernando Adrián took the junk, and was directed to the center of the ring to provide the concurrence.

The bull regained strength, and when he glimpsed that the bullfighter called him on his knees in the media galloped with the crutch that Adrián received him at the last moment in a changed pass in the back, and the astifines candles of the animal touched the bullfighter’s jacket. By then it was already evident that the animal was going to sell its life very expensive. He enhiesto his fought, frantic pursued the deception with a passion, with humiliation, promptness, fixedness, demand and emotion. Thus, three batches of crutches with the right hand emerged in which Adrián maintained the guy and the link, if he lived up to the quality of his opponent, which shouted for a more adjusted and deep bullfighting.

But everyone is as he is and, certainly, the bullfighter emptied himself before the bull, gave himself everything that his bullfighting, more modern than classic, but overflowing with delivery and pundonor. There were natives of minor shaft and ornaments in which he intertwined a mill, another changed pass and three bernadinas tight by crutches by bass who ended up snatching the respectable. But he failed with the sword, and everything was in a affectionate return to the ring for not having turned his back on such an opponent, who was fired with a closed ovation.

The rest of the run was a fiasco, starring unequal bulls of presentation, mensons, birrious and invalids, and two bullfighters, Manzanares and Aguado, which seems to cost them a world to abandon their comfort zone.

The first, and is not new, offered the image of a finished bullfighter. It looks like a voiceless singer, an artist who has lost the mystery, and turned into a day laborer who goes to work, but not to work. Manzanares walks through the square as if he had everything done, scrapped and accommodated. Interestingly, he touched the most noble and kind lot, already his surrounding bullfighting with few ideas and less aroma. Takelled at all times, tasteless, without grace, without its natural elegance.

And Aguado highlighted, first, in a removal of the Veronica in the first bull of Adrián, also invalid, and another by temperate chicuelinas and an extraordinary average in the sixth. Without a drop of strength, his first was shown, but he had gone long in flags, and Aguado received him a crutch in hand with a mill, a trench, a pass overlooked, another trench and, when he started the chest, the animal collapsed. There the story is over. The sixth was the height of Sosía without strength and signed the disastrity afternoon of the titular livestock. In one and the other, Aguado went on tiptoe.