In medieval Europe, river crossings were prized real estate. The original London Bridge was a fine example, with more than 90 shops, houses and chapels crammed along its 275-metre span. Even today, in Florence, you can stroll across the Ponte Vecchio and be tempted by the jewellers that line the Arno. Yet one of London’s busiest thoroughfares on the Thames is not a bridge at all, but a shopping arcade twenty metres below the river. The Thames Tunnel, once hailed as the Eighth Wonder of the World, opened in 1843. It was the first underwater passenger tunnel and drew over a million visitors in its opening 10 weeks, making it the world’s most popular attraction at the time. No self-respecting visitor to London left without descending into its depths or buying a trinket marked A Present from the Thames Tunnel.
So how did London acquire its underwater Victorian mall? For centuries, crossing the Thames was a challenge: until the 1700s London Bridge was the only fixed crossing, and by the early 1800s only four more had been added. Meanwhile, pressure grew to link the eastern docklands on either bank. An early attempt using Cornish miners failed: their skill with hard rock was useless against the quicksands beneath the river. Enter Marc Brunel, an ingenious French engineer who had recently tried, unsuccessfully, to persuade the Czar of Russia to build a tunnel under the Neva. In London he drew up plans for a 400-metre tunnel from Rotherhithe to Wapping.

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Revolution, fire and flood
Marc Brunel was a remarkable figure. Born in Normandy, he served as a Royalist officer in the French Navy before fleeing the Revolution to the newly formed United States, where he became chief engineer of New York City. In France, he had met Sophia Kingdom, an Englishwoman who, after his escape, was imprisoned during the Terror. When he finally reached England they married and had three children: two daughters and a son. More of him later.
Brunel’s plans for a tunnel under the Thames were approved by Parliament, and with backers including the Twining tea family and the Duke of Wellington, he began work in 1825 using his co-invention, the tunnelling shield — a giant iron frame divided into 36 compartments. Each workman dug a small section of earth protected by movable boards; then the whole shield was inched forward by screw jacks while bricklayers lined the tunnel behind, advancing safely under the river step by step. The main shaft was equally ingenious: a massive iron ring with a 12-metre brick wall above it, forming a 15-metre-wide ‘cookie-cutter’ that sank under its own weight as the team dug below.
Work was dangerous: fires, methane, floods and collapses were constant threats. Six men died in 1829 and the scheme was suspended for several years before completion in 1841. The budget spiralled to around £85 million in today’s money, and the plans for horse-drawn carriages were dropped, but the result was a spectacle. Visitors entered a rotunda above the shaft, passing stalls selling books, beer and confectionery, then, after paying a penny at the turnstile, descended via sweeping staircases hung with paintings and curiosities, accompanied by organ music. At the bottom, under gaslight, they crossed a marble floor past Egyptian necromancers, fortune-tellers and dancing monkeys before strolling through the twin tunnels lined with shops and ascending the shaft at Wapping.

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Public access lasted less than thirty years. Famous visitors included Mendelssohn, the King of Prussia and, inevitably, Queen Victoria and Prince Albert. But by the 1850s, when Tchaikovsky and Nathaniel Hawthorne came to see it, its glamour had faded. Nicknamed the Hades Hotel, it was known more for its pickpockets and prostitutes offering “multifarious trumpery! — Hawthorne’s words — than for its earlier glitter.
In 1865 the Thames Tunnel was bought by the East London Railway Company for £800,000 (more than £10 million today) to link north and south London by rail. Its headroom, first intended for those non-existent horse-drawn carriages, proved perfect for trains, and the first ran through in 1869. Later part of the Underground and now the Overground, it was given Grade II* listing in 1995. Today, the Brunel Museum at Rotherhithe invites visitors to descend the original shaft and explore exhibitions about the world’s first underwater passenger tunnel.
There is one figure I’ve barely touched on so far: the son of Marc Brunel and Sophia Kingdom: Isambard Kingdom Brunel, one of Britain’s engineering giants. Marc was the driving force behind the tunnel, but it was here that Isambard cut his teeth, deputising for his father from the age of nineteen. It was also here that he was nearly killed in the 1828 flood, before spending six months convalescing in Bristol. There, recovering, he began sketching what would become one of his greatest achievements, the Clifton Suspension Bridge. Brunel’s later works were all about mastering what lay over the water: the bridges at Clifton, Saltash and Maidenhead, or the ocean-going liners that floated on top of it, like the SS Great Britain. Having once nearly drowned in the Thames, he preferred to spend the rest of his career above the water, not under it.
John Darlington is Director of Projects for World Monuments Fund