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When laconic barman Brendan (Owen McDonnell) arrives, Jack warns him that local boy-made-good Finbar, now a Carrick hotelier with a property empire, has rented a long-empty nearby house to an…

Juliet Stevenson seems to lack compassion in David Lan’s return to British theatre with a story about Nazi-abducted children

We’re in a sumptuous house in Ullswater in the Lake District where brittle pandemonium rules. Edward has two mixed-heritage daughters, Hilda and Asa, aged 17 and twentysomething, from his first…

Originally known for singular stage plays, Birch has moved into film (Lady Macbeth, the End We Start From, the forthcoming Die, My Love) and TV (Succession, Normal People, Dead Ringers).…

Although its roots are in the Victorian era, towards the end Malcolm’s version convincingly casts the story forward to the present day. It’s more subtle and thoughtful than a mere…

Sometimes everything is in place – splendid cast, interestingly neglected classic text, thoughtful director – and yet the production just lies there, inert, on the stage. That’s what’s happened with…

Transferred to the Garrick, Mel Brooks’ classic comedy is not simply hilarious but is exactly what we all need right now

Golda Rosheuvel and Letitia Wright are a pleasure to watch, but this short play still feels 20 minutes too long

Troubadour Theatres plans to open a new venue with two auditoriums next to the cable car station on Greenwich Peninsula

This unique show features sound work by Foley artists which encourages audiences to close their eyes and be plunged into the world of a cow and a deer