The first half of the performance, The Bride, is structured as a talk, with Bianchi circling through Bacca’s story and those of other women who met terrible, violent deaths at the hands of men. “It’s really a show about a certain obsession, disturbance of knowledge, of how art can deal with these questions of sexual violence,” explains Bianchi.
Carolina Bianchi will drug herself unconscious on stage — but shock is not the point
