Like every Wednesday, Carlos Boyero visited The window, of the SER chain, to talk about cinema. On this occasion, El País’s film critic reviewed the Goya Awards gala and opined about the most surprising film finals. “I love the consistent endings with history, such as those of The apartment y THE BUSINESS. It is impossible to do better. I leave the cinema with a happiness face and for a while you are still inside the movie. It’s like fullness, ”he explained.
The sixth sense, the others, mememto o The blow They were the other films that starred in the debate of the films closures. “It gives me chilling to remember the child, what fear, what a surprising movie,” Boyero said about the tape with Bruce Willis, famous for the phrase that the child, actor Haley Joel Osment, said: “Sometimes I see dead.” Another great phrase, “one of the best in history,” according to the critic, was “nobody is perfect” of With skirts and crazy. “You have to be a genius like Billy Wilder,” he said.
On the Goya, and as he wrote in his criticism in the country, Boyero understood the success of The infiltrated y 47 y Its joint prize as best works of the year. “They are two films that have liked a lot, hopefully this type of cinema triumphs, that the people who pay the entrance do not feel cheated,” he said in The window In addition, he showed devotion again for his favorite, The flashes, And for actress Patricia López Arnaiz: “Like Carolina Yuste, what López Arnaiz does fall in love.”
Boyero also praised the presenters of the gala, Maribel Verdú and Leonor Watling. And that saw the deferred ceremony because they played Real Madrid and Atlético in the League: “I had to see an hour and a half.” He also spoke well about Richard Gere and his speech for the International Goya. “The American stars seems like everything is very fluid,” he insisted. And culminated its assessment of the gala mentioning the speech of the producer of The infiltratedMaría Luisa Gutiérrez: “I was surprised by citing Santiago Segura as a safe value of the cinema and claiming that the public goes to the cinema.”
Here you can read Boyero’s latest cinematographic criticism: ‘María Callas’: How cold is the portrait of the goddess.