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APRIL FAIR: The bull There is no one who understands it | Culture

by News Room
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It is not easy to understand the behavior of a bull. Today, for example, Santiago Domecq has been a clear exponent of this difficulty. The first Raudo de Chiqueros came out, galloping, came to the horse twice and pushed with bravery, demonstrated engine and extraordinary greed in flags, but reached the crutch without resolve, and the great expectation created became in deep disappointment. And the second, vice versa. He stressed on the horse, was bounded in tables in the second third and waited without haste to the banderilliers, but, friend, when he glimpsed Perera’s crutch he pursued her tirelessly, with fixedness, rush and promptness. So much so that the box, omnubilated with such a lively behavior, granted a return to the ring that the bull did not deserve.

By the way, Miguel Ángel Perera was made to that bull what is called a faenon. On top, first, with the sneakers screwed to the Albero, in a sequence of six crutches and one of more chest pregnant with emotion. To the rush, fixity and promptness of the Perera bull, he responded with a overflowing bullfighting, firmness and depth, so that the first three batches with the right hand sprouted dazzling; Next, another by long and beautiful natural, linked to perfection. But he did not want to finish there, and continued with another batch with the right, and circular with which the task entered another dimension of smaller category. Then, a mess with the sword was made, two notices rang and everything turned to black.

Notary, meanwhile, waited for his first on his knees closer to the irrigation mouth than of the second line. The bull appeared as an exhalation, and pursued and made his fight. He went cheerful and with the horse of Juan Francisco Peña, and Galopó in a brilliant third of the matador flags. He gave a notary to the concurrence with the expectation in the clouds. Large task was expected, but the animal accused the effort, and it was no longer the same. The task had begun with two tight passes changed in the back, and everything suggested what, then, it did not come true. The bullfighter tried, the crutches emerged long and temperate, but lacking emotion. And joy vanished.

From the ruling to Perera swords, the run dropped in tone. Neither Borja Jiménez in the third, nor his companions in his second bulls reached glory with bulls of noble behavior and absence of caste. The scribe’s task enclosed aesthetic flashes, but without vibration; Transmission lacked the third, first of Borja, with a point of calm in his onslaught, and Perera again demonstrated trade and good ways before the fifth stop.

But the output of the sixth was announced. Borja went to receive him from knees in the media with a long changed and passionate veronic and chicuelinas. Again, illusion. The bull hooked the horse by the chest, and Plácido Sandoval had to gather experience so as not to bite the dust. He only pointed out two pujazos, but was long applauded.

On his knees, again, the crutch killer was placed in hand. And to the crutches by low and the two batches with the following right hand they had plenty of courage and wishes of triumph, and they lacked serenity. Well placed at all times, with full luck, Jiménez could not round triumph task despite his proven interest.

Domecq / Escribano, Perera, Jiménez

Bulls of Santiago Domecq, Correct presentation and varied game; Bravo and the first; I meek and enchanted the second, which was around the ring; unequal in rods, noble and without transmission the third; Mansurrón, soft and apocado the room; Disgasted the fifth, and bravucón and enchanted the sixth.

Manuel Escribano: prick and rear lunge (silence); prick and lunge fall (silence).

Miguel Ángel Perera: staked -aviso- two unhappy -Second notice- and three unhappy (ovation); rear lunge (silence).

Borja Jiménez: Punchazo, half lying -aviso- and two unhappy (silence); prick and lunge (ovation).

Maestranza Square. May 6. Eleventh subscription of the April Fair. Almost full.

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