April Fair: Morante or intelligence at art service | Culture

Everything happened unexpectedly at the cape receipt in the afternoon. Morante greeted him with his leg flexed, but the animal was already hard, the subaltern Joao Ferreira was able to retain him in a nearby mockery. When the bull fought again in the killer, he seemed sure that there was no possibility of showing off the Veronica, so he chose to receive it with a long right hand; But, here it was that the bull became lending and went to the bullfighter’s jurisdiction, so that Morante passed the cape to the left hand and drew another long -sharing in the form of a natural and then a right to one hand, and another long with the left -handed A pasodoble and the square, stood up, rubbed his eyes, without giving credit to the sequence of inspiration he had just lived.

Then came the crutch’s task to a unbuttoned bull and reservoir. Morante began with some helped, he invited his opponent to challenge themselves in the irrigation and there, firm as a candle, he endured the bad style of the bull, who stirred annoyed and released his face in each pass, while the bullfighter exercised a dominance as imperceptible as intelligent. And so, among the pythons, he stole a batch of right and a couple of colorful and natural long before the epilogue also unforeseen. And that was another sequence of crodded crushes with the right hand, which closed with a complete round and a chickpea inverted mill before moving to millimeters of the pythons in a very stamp. After killing an almost whole lunge, the two ears proudly walked and smiling.

But that was not all. Morante was willing to a total delivery since the Sevillian shelter stepped on. He was seen at the receipt to his first, with whom he drew a good Veronica, Galicó for chicuelinas to take him to the horse and later returned in a removal of the Veronica and a half of poster. That animal came exhausted to the final third, without rhythm in the onslaught, which did not prevent Morante from showing an unusual arrangement, adorned by touching one of the pythons, as Joselito El Gallo was admired, and ended with fainted natural ones, in front already feet together.

It was a transfigured, happy, and hungry dyingora of triumphs. He gave the impression that he feels king and motivates himself when he turned to his throne.

And, as is well known, these are Juan Ortega and Pablo Aguado, Sevillians and artists like him, but different and still very young to access the podium.

Ortega showed again his temperance and depth with the cape. The Verónicas bouquet with which he received his first was simply ranking. Before, in the first of the afternoon, he looked in a quite for aprons and raised clamor again in the fifth, to Veronica, first, so that music sounded again, and for beautiful chicuelinas later. But the tone went down with the crutch. Difficult, with a bad style and genius he behaved his first, and approved and backless was the fifth, which did not prevent Ortega from trying with scarce as a fight.

Another dream cape is Aguado. Chicuelinas at the pace of Pallio in a quite to the second bull of Ortega and primorous details of his innate quality with the crutch in his first did not end in triumph due to the very low quality of his lot. There were category details in his first, some natural with a presistance and a couple of chickpea kikirikis, but neither that nor the sixth, very dazzled, allowed him to realize the dream of triumph.

Iván García highlighted when the last and Jorge Fuentes, under Ortega, was turned with the cape and suffered a bruise in the left twin of mild forecast.

And the bulls? Correct presentation except for the first, meek and unbuttoned. But they could not prevent Morante’s triumph, intelligence in art.