Garai, an actress of great poise and focus, is here all a-jitter. Her Nora is fretful, nervy, prone to blurting out unwary truths and possessed of a billowy but self-conscious sensuality. It’s a wonderfully deep, layered performance and in the final speech where Nora is revealed to herself, it’s impossible to take your eyes off her.
A Doll’s House at the Almeida Theatre review: Romola Garai is wonderfully layered in Ibsen’s tragedy
