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In Hong Kong’s collecting community that treats its antiques like “babies”

by News Room
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For Dr. Maria Mok Kar-wing, organizing an exhibition of more than 500 priceless objects tickled her maternal instinct. “It was more like handling 500 babies,” says the manager Hong Kong Museum of Art (HKMoA) For organizing “Engaging Past Wisdom: Min Chiu Society at Sixty5”. “The collectors are their parents and these treasures are their babies.”

Never mind that some of them are thousands of years old. The infants in question are actually Chinese antiques, and their “parents” are members of the prestigious Min Chiu Society, an art collecting group dedicated to preserving and appreciating classical Chinese arts and crafts.

Founded in 1960, the Min Chiu Society, which has 15 members, including founding director Hu Jenmou, deliberately operates under the radar. In addition five-year exhibitionits collections and activities are not made public.
Go with the Wind (1968), a diptych by the late Lalan, part of the exhibition “Engaging Past Wisdom: Min Chiu Society at Sixty5”. Photo: Jocelyn Tam
“That’s the point: it’s a closed society, and we’re very low-key,” says Lawrence Chan Wing-tat, the group’s chairman. A passion for Chinese antiques is a common factor among members from various professional backgrounds, including industrialists, bankers, architects, doctors and lawyers. Chan himself has a background in advertising, but is also known for his Dawentang collection, which is highly regarded for its imperial porcelain. Ming and Qing dynasties.

We sit in the museum’s conference room, sipping hot oolong tea from porcelain cups and looking out the floor-to-ceiling windows at an unobstructed view of Hong Kong Island across Victoria Harbour. It’s an unusual moment of reflection found in a typically fast-paced, anxious Hong Kong day.

“Most of what we do is dedicated to learning about these antiques and preserving their history,” says Chan. “We are very passionate about acquiring knowledge.”

Dr Maria Mok (left), Director of the Hong Kong Museum of Art, and Lawrence Chan, President of the Min Chiu Society. Photo: Jocelyn Tam
Dr Maria Mok (left), Director of the Hong Kong Museum of Art, and Lawrence Chan, President of the Min Chiu Society. Photo: Jocelyn Tam

Bridging the gap between collecting and connoisseurship, true luxury comes from appreciating the fine craftsmanship of an object and understanding the historical context in which it was designed.

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