The problem of bullfighters is that bulls have to be killed, and on that luck, rightly called “supreme”, many wins depend, and, not rarely, even a race.
Here is the stumbling block that David Galván’s good found in La Maestranza. After a primorous task to his first bull, chiseled based on sublime and overwhelming flashes of inspiration, goes and fails up to four times with the crazy, which is something like to put a blur in a work of art. The artist’s inspiration remained in the retina of those present, but the resulting task was not ready to be admired in a museum.
And see that the Gaditano bullfighter began well, despite the fact that the material (the bull) was not to throw rockets, noble, but with a sosería point, which did not prevent Galván from feeling inspired from beginning to end.
They were, perhaps, six chest passes that drew, from python to a tail, bullfighting with the real chest, temporary, monumental, of those that start the olés of the same entrails. Beautiful. And there were several changes of hands, perhaps three, which composed a tir of harmony. His work was a sublime bunch of emotional brushstrokes, different, novel, intimate, exciting. It was not a task of crutches to use, but a personal interpretation of the art of bullfighting. But the final rubric was a shame.
When he took the crutch in the fifth, the expectation chewed in the square. Let’s see, let’s see … and the full bullfighting of naturalness returned, which arises from the deems, without planned design. The music rang, but the bull, more bland and ramplón than the previous one, did not allow him more than some crutches at medium height and two final circular. And again the discouragement … the balance, two ovations that know very little. A failed bullfighting flaunt.
The Fandi returned for the umpteenth time, and it went unnoticed again despite the fact that it touched the best bull in the afternoon, the fourth of enchanted nobility. This bullfighter, wherever there are, seems to have exhausted the jar of essences. Not even exciting as before with the flags. Maybe, the Fandi is very seen. In his first, he only tone as a good professional he is. And before the room, he wanted to breastfeed and stood on his knees in the beginning with the crutch, and in two batches he traced circular two, several long crutches, and two of chest, already a hiiesto, who came to confirm that he thirteen with more pleasure of fennel than standing. So much so that he got the music band to liven up the moment with a pasodoble.
But when he recovered the verticality he was the boring and bottomless Fandi, and after a puncture and lunge was cheered, although the tribute of the lying was taken by the bull, named Teacherin the drag.
Ginés Marín had no luck. His good ways are still intact and there were details of Honda Tortería, but his bulls, the worst of the meek and unequal confinement, did not allow him more than manifest and neat.
Alcurrucén / El Fandi, Galván, Marín
Bulls of Alcurrucenwell presented, mansurrones, reserves, noble and sistent; He highlighted the fourth, meek and enclosed nobility.
The Fandi: prick, lunge and a deconbello (silence); puncture and lunge (ovation).
David Galván: lunge -aviso- and four unhappy (ovation); Stay of crossed -Aviso- and three unreasonable (ovation).
Ginés Marín: prick, half aim -aviso- (ovation); staked (silence).
Teacher Plaza. April 30. Fifth fertilizer run of the April Fair. Somewhat less half entry.