How to Fight Loneliness at the Park Theatre review: this assisted dying play is repetitive and reductive

Mona Camille’s set is a dusty wasteland strewn with angular welded shapes and bracketed by two leafless trees. It recalls the scenario for Beckett’s Waiting for Godot, and this play about death is also a Beckettian assertion of the life force, which persists in the face of grief and loss. Unfortunately, it’s also very tedious. Spirling, a director I admire, can’t bring it to life, though Kehinde’s performance gives it a glow.