April Fair: Pundonoro Román | Culture

Román is a pundonorous bullfighter, who is a sign of admiration for a man who reached the teacher, where he does not lavish, willing to demonstrate that he must have him, and that the guy is always played, even if he is not an exquisite, which is not. All those who wear the light suit cannot be.

Roman is delivery and commitment, squanders arrests and race, and there have been few bullfighters who have reached the figure vitola with such credentials.

You can discuss the ear that cut with the Sevillian parameters of the pinch, but not from the manhood of a bullfighter who squeezed to the last drop of the first opponent who touched him in luck.

He received that third with some vermonic airy while the animal dazzled the encounters with an annoying berreo. He soon prepared to take advantage of the mobility of bull, without quality, of ugly style, but with an initial gallop to which Román took the best game.

He quoted him from afar with the crutch in his right hand, and the animal’s thrust allowed him to draw a batch chaired by firmness and bond. He returned to the streets in the next and started the music band; And there was a third, accelerated like the others, but Henchida de Arrojo. The bull was not the same on the left side, shorter and without desire, and, then, Román threw the deception behind his back and cited him to execute extremely tight bernadins, brushing the pythons the jacket, a garbous mill and the obligatory chest. When he killed a lunge and a barely accurate, he was awarded a trophy as a prize for his very serious commitment. In the sixth he tried again, but mobility was a condition that only accompanied the third in the afternoon. The last one, like the others, was a bland marble to which Román was able to steal a pair of right and little else.

Very different case is Curro Díaz. Curro is an artist; His stamp, his gait, his placement, his forms and his mystery are impregnated with good taste. But he is not an artist who sees or moves. It does not shock with great works. He prefers the details, the flashes and the immensity of a brush that signs the vision. Everything makes beautiful, but does not turn on passion. He is an exquisite, a sibarite of bullfighting, but it seems not to worry that his feeling accelerates the heart of the one who observes it.

Anyway, everyone is as it is, and there is nothing more to talk. The ambition jar is very personal, and that of Curro Raya, sometimes, in conformism.

But he is an artist, and he is recognized with admiration. He signed six Veronic and an average receipt to which he opened a place that knew Gloria, a reference of temperance, elegance and packaging. But the animal was an invalid to which a world costed to obey deceptions. In spite of everything, he drew a batch of right of very good bill and even a beautiful natural. In return, however, he suffered a somersault that could cost him. It happened when he cited him with his left hand; The bull knocked him down, kicked him, picked him up from the pool and threw it through the air. Curro got up as if he were a kid and opened his arms in that nothing has happened here. Fortunately, nothing, but tomorrow maybe his bowels hurt. Standing and exhausted was the behavior of the room and, in addition, it released the face with little grace. Curro was able to draw up to three category natives, but there was no more.

And the Albacete Rubén Pinar wanted, but nothing was possible with the infumable lot that touched him. Two impossible bulls with which he could only waste will.

By the way, the run of Fermín Bohórquez, well presented, but with an drunk countenance; Mansa in the horses, soft of oars and excessive. And so it is only possible the Pundonor of Román and the flashes of Curro, which is not little.